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Lesha Travoveda

An essay project exploring the fragile border between the personal and the political. Through film, literature, class, shame, and queer experience, the writing examines how contemporary life shapes desire, vulnerability, and the feeling of being out of place.

February 7, 2024

Disappear, My Russia

Russia is once again learning to see itself through someone else’s eyes — through the eyes of Merezhkovsky’s Vasyuta: “some milk, maybe… but I don’t feel like it”. And that “I don’t feel like it” is enough to describe today’s reaction and the war.
written by
Lesha Travoveda
February 7, 2024

The Privilege of Reversibility

I now see My Own Private Idaho not as a film about beautiful rootlessness, but as a film about the difference between those who have an “afterwards” and those who don’t.
written by
Lesha Travoveda
February 7, 2024

The Somatics of Queer Flaw: How Thought Inevitably Gets Bogged Down in The Body, The Frame, and Biography

Why No Skin Off My Ass matters not only as a film, but as a trace of a queer culture that had not yet become polite, institutional, and safe.
written by
Lesha Travoveda
February 7, 2024

A Manual for Disappearing

The Masturbator’s Heart speaks of death calmly, almost matter-of-factly, as something simply pencilled into the schedule.
written by
Lesha Travoveda
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