My Story

Short About Me

I live in Paris, where I work at a university as a research engineer after completing a PhD in Physics. My professional life belongs to science, but my private obsessions are elsewhere: cinema, literature, fashion, theory, and the strange emotional weather of contemporary culture.

Cinema, Books, and the Intimate Scene

My writing moves through film, literature, philosophy, fashion, and queer sensibility, treating them not as separate fields but as ways of reading the present. A gesture, a face, a room, a line from a film, or a cheap fabric can become the beginning of a larger reflection on taste, poverty, beauty, exclusion, and survival.

Thinking Without Distance

I try to avoid both academic detachment and confessional softness. I think from within experience without turning experience into spectacle. My essays return to figures who are too young, too late, too poor, too exposed, or too out of place — and who, precisely because of that, begin to see the world with uncomfortable clarity.

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July 11, 2026

WHAT IS AN UNHEALED WOUND WORTH?

Blue Film argues that turning trauma into a commodity does not heal the past, and that real agency begins where the purchased ending gives way to the unbearable demand to reclaim one’s own name.
written by
Lesha Travoveda
June 17, 2026

Why Protest Wants a High Price Tag Too

Matières Fécales, The One Percent, and marginality’s right to set its own value.
written by
Lesha Travoveda
May 26, 2026

Watching Won’t Wash You Clean

In Regarding the Pain of Others, Susan Sontag writes about the distance of the spectator. Today, that distance becomes a Russian question: can one look at Ukrainian pain and still remain a bystander?
written by
Lesha Travoveda